by Jennifer Cody Epstein

Control, whether of one’s life or one’s body is central to Jennifer Cody Epstein’s latest novel The Madwomen of Paris.

A plague of hysteria is washing over the women of Paris and their salvation may be locked in their unconscious minds or at least that is what the doctor of Paris’s most notorious asylum for women thinks. How like a man to think he has all the answers and none of the responsibility to treat his patients as full equals in humanity. As the doctor hypnotizes his patients, all in the name of science of course, we clearly see this as a metaphor for the exercise of control men have over women in this society. Can the tables be turned?

Historical fiction focusing on the struggle of women to gain independence and autonomy is flooding the book world right now and about time. I appreciate all the subtle easter eggs of early feminism Epstein includes within the novel and I especially appreciate how well her main character Laure demonstrates her struggle to merely exist in a man’s world as an orphan.

“I thought about how instinctive it is, the trust we place in those who call themselves our protectors. How easily that trust turns into a trap.”

Through Laure, Epstein deftly explores a woman’s vulnerability and limitations in 19th century Paris, but also the desire to direct her own actions. And as always there is the danger women face when expressing their emotions that they will be judged and condemned as a madwoman.

A truly enjoyable read.